Archives for posts with tag: fantasy

Okorafor's book is among those being considered for this year's Best Novel Nebula Award.

The Oscars and Grammys may be over, but those of us invested in seeing our favorite art and artists win the recognition they deserve can still look forward to this year’s various literary award ceremonies. Among those ceremonies is the Nebula Awards, which along with the Hugos are some of the most important to be given to works of science-fiction, fantasy and speculative literature.

The Nebulas have been awarded each year since 1965 by the Science Fiction and Fantasy Writers of America, an organization of authors who’ve published genre fiction in the form of novels, short stories, screenplays and more. The first novel to receive a Nebula? Frank Herbert’s Dune.

Nominees for the 2010 Nebula Awards were announced in an official press release on Feb. 22, and voting officially closed Wednesday. While there are outstanding nominations in six different categories – short story, novelette, novella, novel, dramatic presentation and young adult – here are the novels you might want to check out before the winners are announced on May 21:

The Native Star by M.K. Hobson is a fantasy work with zombies, warlocks and steampunk technology set in Reconstruction-era America.

The Hundred Thousand Kingdoms by N.K. Jemisin is the first book in a trilogy about a young woman who must compete with her cousins’ political machinations for control of her violent homeland.

Shades of Milk and Honey by Mary Robinette Kowal might find fans among devoted readers of Austen. Set in an alternative Regency era, Kowal’s book involves a young woman seeking magical tutelage from a Byronic older gentleman.

Echo by Jack McDevitt is actually the fifth entry in a sci-fi series about an investigation into the truth of Earth’s past and future. Sort of Indiana Jones meets Sherlock Holmes meets spaceships.

Who Fears Death by Nnedi Okorafor is truly a work of speculative fiction, with elements of fantasy and the supernatural combining to buttress a coming-of-age story set in post-apocalyptic Africa.

Blackout and All Clear are two novels by Connie Willis published back-to-back, but considered one long work. They follow three historians from 2060 Oxford who travel back in time to study World War II. Of course they are trapped there and must then find their way back home.

All six best novel nominees may be found in local book stores, on and in ebook format. And if you’re going to be in Washington, D.C. from May 19-22, you might consider dropping in on Nebula Awards Weekend to find out which novel will pick up the prize.

1990 WFC Program Cover

The program cover for the 1990 World Fantasy Convention in Schaumburg, Illinois.

For four days next week the Hyatt Regency Hotel in Columbus, Ohio is going to get a little medieval. Fantasy fans, critics and authors will descend upon the city for the 36th annual World Fantasy Convention, ready to talk about the year’s best offerings in fantasy lore. Also of note is the presentation of the World Fantasy Awards, which will be given to nominated authors, artists, novels, short stories and illustrations.

One thing you probably won’t see at the convention? Costumes.

Conventions the world over — San Diego Comic-con, Wizard Con, Tokyo Game Show — have conditioned us to expect elaborate capes, swords, headdresses, and the occasional storm trooper armor anywhere that a group of more than 20 geeky individuals converge. Yet from its beginnings in 1975 the World Fantasy Convention has focused on the fantasy genre in terms of examining its literary and artistic content.

That in itself can be contentious for many outside of the science-fiction and fantasy niche. The average reading audience has been conditioned by publishers and mega book chains to believe that a book is only “literature” if it has an embossed cover and deckle edge paper, and is nigh impossible to fit in any reasonably sized bag.

Your average English major may have a slightly different opinion — after all, classes have us close read anything and everything, and while there’s certainly pulp in SF/F, the same can be said for any genre. Here at UCLA this consideration manifested in a slightly different form last year when the professors tirelessly debated about how, or even if, they should revamp the major. Budget discussions aside, what it ultimately came down to was a discussion of the canon; should professors force students into well-roundedness by obliging them to read Shakespeare, Chaucer and Milton, or can students be trusted to get a taste of everything while also selecting for themselves what they would most like to study?

Whichever side you come down on, it seems important to bring up those genres — SF/F, romance, mystery, horror — that are so often relegated to the shadows and consider a broader literature that can encompass a variety of interests and experiences.